For over a decade, this Thessaloniki-based artist, Kiki Botonaki, has been quietly shaping Greece’s electronic music landscape from the underground up. What started as a passion for local club culture has evolved into something much bigger. With recent Afro house releases climbing to #3 on Beatport’s global charts and a growing reputation that spans from the Balkans to Cyprus.
In our conversation, we dive deep into the creative process behind tracks like “We Fly” and the upcoming “I Know What Love Is,” explore how Greece’s second city offers a different creative energy than Athens, and discuss everything from AI in music production to the art of authentic collaboration. This is the story of an artist who’s found their unique voice by staying true to their roots while fearlessly pushing into new sonic territories.
1. You’ve been described as “a pillar of the Greek underground for a decade.” Can you take us back to the beginning – what first drew you to electronic music, and how did you make the leap from listener to performer in Thessaloniki’s scene?
Certainly! My passion for electronic music ignited during my early years in Thessaloniki, where I was captivated by its immersive soundscapes and the sense of community it fostered. I started as an avid listener, exploring local clubs and underground parties, which inspired me to experiment with creating my own mixes. The leap from listener to performer happened naturally as I wanted to contribute to the scene that had given me so much. I began DJing at small gatherings, honing my craft, and gradually gaining recognition, which eventually led me to become a dedicated part of Thessaloniki’s vibrant underground scene for over a decade.
2. Your radio show on FLY104 has been running since 2016. How has hosting this show shaped your perspective as both a DJ and curator of electronic music? What role do you think radio still plays in discovering new sounds today?
Hosting my radio show on FLY104 since 2016 has profoundly shaped my perspective by deepening my connection to the evolving electronic music scene and allowing me to share my passion with a broader audience. It has reinforced the importance of curated selections and storytelling through sound, helping me discover and introduce new artists and styles that might not get mainstream attention. Today, radio still plays a vital role in discovering new sounds because it offers a platform for niche genres, live interactions, and a sense of community that streaming algorithms can’t replicate. It’s a space where authentic musical exploration thrives, and I cherish being part of that ongoing journey.
3. Your recent releases show a clear evolution toward Afro house, with tracks like ‘We Fly’ reaching #3 globally on Beatport’s Afro House charts. How would you describe your sound journey from your early days to where you are now with your new track ‘I Know What Love Is’?
My sound journey has been one of exploration and authenticity, starting from my roots in deep, soulful house and gradually embracing the vibrant rhythms and rich textures of Afro house. With tracks like “We Fly,” I aimed to capture that energetic, global feel, and achieving #3 on Beatport’s Afro House charts was a huge validation of that direction. As I move toward “I Know What Love Is,” I want to infuse more emotional depth and organic elements, blending my evolving production skills with the powerful, earthy groove that defines Afro house, creating a sound that’s both rooted and expressive, reflecting my growth as an artist and my love for music that connects on a soulful level.
4. In the studio, what’s your approach to creating that “fresh twist on Afro house” that’s become your signature? Walk us through your typical production process – do you start with rhythms, melodies, or something else entirely?
For me, creating that “fresh twist” starts with feeling the groove and letting the rhythm guide the process. I usually begin by laying down a strong, infectious percussion pattern that sets the foundation, then I build melodies and chords around it, always looking for that unique element—whether it’s an unexpected synth line or a subtle rhythmic detail—that adds character and freshness. I love experimenting with different sounds and textures, blending organic and electronic elements to keep the vibe dynamic and unpredictable. The key is staying open to intuition and allowing the track to evolve naturally, ensuring each production carries that signature energy and originality that defines my sound.
5. You’ve performed across Greece, Cyprus, and the Balkans at major venues and festivals like Reworks Agora and River Party. How would you characterize the current state of the Greek electronic music scene, and how does it compare to what you’ve experienced in neighboring regions?
The Greek electronic music scene is vibrant and evolving, with a strong sense of community and a passion for pushing boundaries, especially in festivals like Reworks – Reworks Agora, Nestorian Festival and many others, where creativity really shines. Compared to neighboring regions, Greece offers a unique blend of traditional influences and contemporary sounds, creating a distinctive atmosphere that’s both deeply rooted and forward-looking. While places like Cyprus and the Balkans are also developing rapidly, each has its own flavor—more Balkan rhythms or Mediterranean flair—which enriches the scene overall. I see a lot of talent and innovation emerging from all these regions, and it’s exciting to be part of this movement that’s constantly redefining what electronic music can be in our part of the world.
6. Being based in Thessaloniki rather than Athens, influenced your musical identity and the opportunities that have come your way?
Being based in Thessaloniki rather than Athens has significantly influenced my musical identity and the opportunities that have come my way. Thessaloniki’s vibrant, alternative scene fosters a unique creative atmosphere, allowing me to develop a distinct sound that’s deeply rooted in local culture and community. While Athens offers more mainstream exposure, Thessaloniki’s underground vibe has given me the freedom to experiment and grow artistically, often leading to more authentic collaborations and events that resonate with my artistic vision. This environment has shaped me into a more innovative and connected artist, leveraging the city’s dynamic energy to stand out in the electronic music scene. However, if my personal and professional commitments allowed it during this stage of my career, I believe it would be more beneficial for me to stay in Athens.
7. You’ve worked with notable artists like Manuel Kane, Christos Fourkis, and Lazarusman. What do you look for in a collaboration, and how do these partnerships typically develop? Is there a particular collaboration that pushed your sound in an unexpected direction?
I often look for collaborations that inspire me creatively and challenge my boundaries, whether it’s through unique musical styles or fresh perspectives. I believe the best partnerships develop organically, rooted in mutual respect and a shared passion for experimentation. Working with artists like Manuel Kane, Christos Fourkis, and Lazarusman has always pushed me to explore new sounds and emotions, but one collaboration that truly took my sound in an unexpected direction was when I teamed up with Lazarusman—his deep, soulful approach added a new dimension to my music, encouraging me to delve deeper into emotional storytelling within my productions. This tack was an absolute pleasure to co-produce it with Elias Kazais.
8. What’s your perspective on AI’s growing presence in music production and DJing? Do you see it as a creative tool, a threat to authenticity, or something else entirely?
I see AI in music production and DJing as a powerful tool that can enhance creativity when used thoughtfully, offering new possibilities for sound design and experimentation. While some may worry about it threatening authenticity, I believe it’s ultimately about how we integrate technology into our art—if it serves to inspire and expand our expression, it’s a valuable asset. AI can help push boundaries and open doors to innovative ideas, but it should complement human emotion and intuition, not replace them. The real magic comes from the blend of technology and genuine human artistry working together.
9. For upcoming producers and DJs trying to break through in today’s saturated market, what would be your top three pieces of practical advice? What mistakes do you see newcomers making that you wish you could help them avoid?
For emerging producers and DJs, my top three tips are: firstly, focus on developing a unique sound and authentic style rather than trying to imitate others; secondly, prioritize consistent quality over quantity—release thoughtfully curated tracks and performances to build a strong identity; and thirdly, network genuinely within the scene—collaborate, engage with your community, and stay open to feedback. A common mistake I see is newcomers rushing to release music or perform without honing their craft, which can lead to burnout or a lack of distinctiveness. I wish they’d invest more time in understanding their artistic voice and building meaningful connections, as these foundations are essential for long-term growth and recognition in such a competitive landscape.
10. Looking ahead, with your upcoming release ‘I Know What Love Is’ on Non Merci Music, where do you see your sound heading next? Are there any particular scenes, collaborators, or musical territories you’re excited to explore in the coming year?
With my upcoming release ‘I Know What Love Is’ on Non Merci Music, I see my sound continuing to evolve towards a more emotive and textured blend that bridges deep house, soulful melodies, and experimental nuances, aiming to create immersive, heartfelt experiences. I’m excited to collaborate with artists across genres and work with vocalists to deepen the emotional resonance of my tracks.
Additionally, I’m eager to engage with diverse scenes, from underground dance floors to more experimental music communities, pushing boundaries and discovering new musical territories that challenge and inspire me in the coming year.
I would definitely like to perform at renowned festivals and clubs across Europe and beyond, thereby expanding my horizons even further. I am looking forward to the future and I am working towards it!