British DJ and producer Cameron Jack has been on an incredible run of form in 2024, releasing music with Knee Deep In Sound, Hurry Up Slowly, and ABRA X.
Also making his return to Crosstown Rebels earlier this month, the London-based talent brings his ‘The Late Shift’ EP to the label, which features a generous offering in four brand new originals.
We spoke to him recently to ask about the new EP, what else he might have coming soon, and what advice he would give to aspiring producers aiming to replicate his success.
You just released four new productions on Crosstown Rebels! Tell us about your ‘The Late Shift’ EP?
So ‘The Late Shift’ has four tracks; the A side features collaborations with Liz Cass doing some really sexy spoken word vocals. The B side is two more solo tracks from me. The EP, as a whole, is less about big breakdowns and drops and more about keeping the energy of the dancefloor rolling. If I could sum it up in one short sentence, I would say: deep, late-night rollers and groovers.
You’ve also released music on Knee Deep In Sound and All Day I Dream in the past, which other labels might we see you on in the coming months?
After summer, I took a month off touring and was in the studio almost every day. I worked on collaborating with vocalists and finished a bunch of new music, which I am really excited about. I have also had lots of big labels that have reached out and asked me to send them stuff, which I have now done. However, none of it is signed on the dotted line yet – so until it is, I’d rather not jinx anything! I just got back from an Asia tour where I had the chance to test it all out though, and it went down really well, so I’m excited to put it out next year.
And what are some of your main goals for 2025?
I’m currently waiting on my O1 visa to go and be able to tour in America. Once that’s in, I am looking forward to playing over there. I went to Miami Music Conference last year for the first time and had the craziest time. I’m looking forward to returning this year and being able to play myself. Other than that, I’d love to have one of my tunes picked for Pete Tong’s Essential New Tune. Growing up, I always listened to his shows and discovered new music. I feel like getting Essential New Tune is a real stamp of approval that you’re on the right track.
You spend your time between London and Ibiza, two very different places, how does each influence you creatively?
London is where I’m from, and I’ve lived here for the last ten years, ever since moving back from University in Sheffield. However, I don’t find it that inspiring creatively. Ibiza is my spiritual home – I have been going and doing seasons since I was 18 – every summer, I’m there. One day, I want to move there full-time. There is something about the energy of the island that is so special. Also, I find that watching the best DJs in the world at the best clubs in the world do their thing every night really inspires me creatively. Everyone brings their A-game when they play in Ibiza, and there have been multiple occasions when I have got home from a club and started making music on my laptop based on a video or voice note I’ve taken in the club. Next year, I’m hoping to move to Barcelona full-time. It’s one of my favourite cities in the world, and I find myself so much more creative in the sunshine and living that Mediterranean lifestyle. It’s a lot more chilled out and happy.
What advice would you give to new producers that have labels such as Crosstown Rebels and Knee Deep In Sound in their sights?
Don’t rush! Take the time to hone your sound and your craft. Don’t make the mistake of sending off music before it’s ready. I know you will be impatient to progress, but if you start sending music out before it’s good enough, you may find A&Rs stop listening to it when they see your name in their inbox. The second piece of advice would be to try and make personal relationships where possible. If the DJ who heads up the label you are interested in is ever playing nearby, then go down and try to introduce yourself. Even if you only manage to get 30 seconds to say hi – it is worth it.
Is there anything else you want to talk about before we go?
My final thing to say is in answer to something that I get asked a lot by aspiring DJs and producers, and it’s just general industry advice. There is no magic shortcut to getting to where you want to be. It really comes down to how badly you want it. If you work really hard perfecting your craft, are consistent and don’t give up even when things seem impossible and like they’re going nowhere, then eventually, you will start to see progress and results. I know how competitive it is these days, but stay focused and try not to compare yourself to others. Concentrate on your own work and music, and you will get there. Oh, and network, network, network. People are much more inclined to help you if they have a personal relationship with you and like you!
Cameron Jack – The Late Shift EP is out now on Crosstown Rebels.